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FOLK SONGS OF RAJASTHAN

October 17, 2024

Folk songs in Rajasthan are a rich and vibrant expression of the daily life, emotions, and experiences of the people. These songs have been passed down through generations as part of the oral tradition, capturing the joys and sorrows of the community. They play a significant role in preserving the cultural heritage and identity of Rajasthan.

  • Reflection of Culture: Folk songs are a spontaneous expression of the joy and sorrow of the human mind. They are deeply connected to the life and traditions of the common people, capturing the natural evocations of their environment.
  • Philosophical Perspectives:
    • Rabindranath Tagore described folk songs as an art form that carries a pleasant message of culture, highlighting their role in cultural transmission.
    • Mahatma Gandhi emphasized that “folk song is the language of the people” and serves as the watchman of our culture, reflecting the essence of communal life.
    • According to the Standard Dictionary of Folklore, Mythology, and Legend, folk songs are defined as “musical poetic compositions of a people whose literature is unabated with oral tradition, not with writing or printing,” underscoring their oral nature.

 

Types of Rajasthani Folk Songs

Rajasthani folk songs can be broadly divided into three categories, each reflecting different aspects of community life and regional culture:

  1. Folk Songs of Common People:
    • These songs are sung by the public during various occasions and are integral to community celebrations. They are further divided into five parts:
    • I. Folk Songs Related to Sanskara (Life-Cycle Rituals):
      • These songs accompany rites of passage, such as birth, marriage, and other life events. They include Sagai (engagement), Badhawa (blessing songs), Chakbhat (ritual songs), Ratajga (wedding night songs), Myra (maternal uncle’s ritual songs), Haldi (turmeric ceremony), Ghodi (bridal horse songs), Bana-Bani (bride and groom songs), Vara Nikaasi (groom’s departure), Torana (welcome songs), Hathlewa (henna ceremony), Kanwar Kaleva (brother-sister songs), Jimnavar (feast songs), Kankanandora (bracelet songs), Jala (water rituals), Jua-Jui (game songs), Bindola (cradle songs), and Jacha (motherhood songs).
    • II. Folk Songs Related to Festivals:
      • These songs celebrate various festivals such as Teej, Gangaur, Rasiya (romantic songs), Hori (songs of Holi), and Dhamaal. They capture the joy and vibrancy of Rajasthani festivals, uniting communities through shared traditions.
    • III. Season-Related Folk Songs:
      • These songs are inspired by the changing seasons and the natural beauty of Rajasthan. Examples include Phag (spring songs), Siyala (winter songs), Barh Masa (songs of the twelve months), Cheti (songs of the month of Chaitra), Kajali (songs of the rainy season), Chaumasa (monsoon songs), Papio (bird songs), Badli (cloud songs), and Mor (peacock songs).
    • IV. Religious Folk Songs:
      • These songs express devotion and spirituality and are sung during religious gatherings and rituals. Examples include Languria (devotional songs), Teja (songs in praise of folk hero Tejaji), Chiraja (worship songs), and Harjas (songs praising deities).
    • V. Miscellaneous Folk Songs:
      • These include a variety of melodious songs that reflect daily life and emotions, such as Idoni (cradle songs), Kangasio (songs of joy), Goraband (songs of adornment), Panihari (songs about fetching water), Lur (lullabies), Olun (songs of longing), Supana (songs of dreams), Hichki (hiccup songs), Mumal (love songs), Kurjan (songs about cranes), Kajalia (songs of separation), and Kaga (songs about crows). These songs often reflect the rich emotional landscape of Rajasthan’s people.
  2. Professional Folk Songs:
    • These songs are performed by castes that adopted music as a profession during the era of monarchies. They often praise kings, noblemen, and feudal lords and include heroic songs that narrate tales of bravery and valor.
    • Major Musical Castes: The prominent castes engaged in these songs include Dholi, Mirasi, Langa, Kalavant, Bhat, Rao, Jogi, Kamad, Vairagi, Gandharva, Bhope, Bhavai, Rana, Kalbeliya, and Kathik.
    • Musical Elements: These songs incorporate ragas such as Mand, Des, Sorath, Maru, Parj, Kalingra, Jogia, Asavari, Bilawal, Peelu, and Khamaj. The heroic songs sung during wars often used Sindhu and Maru ragas, providing a musical backdrop for tales of courage and warfare.
  3. Regional Folk Songs:
    • Rajasthani folk music varies significantly across different geographical regions of the state, each with its own distinct style and musical traditions. These can be divided into three parts:
    • I. Folk Songs of Desert Region:
      • Area: Barmer, Jaisalmer, Bikaner, Jodhpur.
      • Songs: Kurjaan (songs of cranes), Peepli (songs of longing), Ratan Rano (romantic ballads), Mumal (love legends), Ghughari (songs about nature), and Kevda (songs about the fragrant flower).
      • Characteristics: Due to the vast, open landscapes of the desert, the folk songs of this region feature high-pitched vocals and extended melodies, capturing the freedom and endurance of desert life.
    • II. Folk Songs of Hills Area:
      • Area: Udaipur, Dungarpur, Banswara, Pratapgarh, Sirohi.
      • Songs: Patelya (ritual songs), Bichio (tribal songs), Laler (songs of praise), Machhar (songs of migration), Nokhila (melodic songs), Thaari Oonta Ri Aswari (camel songs), Naveri Aswari (songs of youth), Shikaar (hunting songs), Hamseedhon (songs of hardship).
      • Characteristics: The songs from this region often involve group singing and are deeply influenced by tribal traditions. They reflect the natural beauty of the hills and the close-knit community life.
    • III. Folk Songs of Plain Region:
      • Area: Jaipur, Kota, Alwar, Bharatpur, Karauli, Dhaulpur.
      • Songs: Focus on Bhakti Rasa (devotion) and Shringar Rasa (romance), capturing spiritual devotion and the emotional nuances of love and separation.
      • Characteristics: The songs from this region are characterized by emotional depth and often reflect the separation of loved ones due to migration for work or trade. Shringar Rasa is the most prevalent, followed by Shant Rasa (peace) and Veer Rasa (valor).

 

Cultural Significance of Rajasthani Folk Songs

Rajasthani folk music is an integral part of the state’s cultural identity, offering a window into the lives, emotions, and traditions of its people. The songs reflect the daily struggles, celebrations, and spirituality of the communities, serving as a cultural repository that preserves the history and stories of Rajasthan. The diversity in musical styles across different regions highlights the richness of Rajasthan’s cultural heritage and continues to enchant audiences with its melodic charm and deep-rooted traditions.

Folk Songs of Rajasthan

Folk songs of Rajasthan are an integral part of the state’s cultural heritage, offering a musical expression of the life experiences, emotions, and traditions of its people. These songs are often melodic narratives that depict stories of love, separation, longing, and cultural values. Below are some prominent folk songs and their themes:

  1. Kesariya Balam
  • Significance: Known as the state song of Rajasthan, Kesariya Balam is a symbol of Rajasthani pride and identity. It is sung in the Mand singing style, a popular style characterized by its melodic richness and emotional depth.
  • Theme: The song is about a wife longing for her husband to return home from Pardes (foreign lands). It evokes a deep sense of love and yearning, capturing the emotional bond between separated lovers.
  1. Moreo
  • Theme: This song is sung by a young girl who is engaged but not yet married. It expresses her anticipation and emotions as she awaits her marriage, offering a glimpse into the joys and anxieties of a bride-to-be.
  1. Kurjan
  • Theme: Kurjan is a popular folk song where a woman sends messages through the Kurjan bird (Siberian Crane) to her husband who is living far away. The bird symbolizes hope and connection across distances, and the song reflects themes of longing and love.
  1. Suvatio
  • Theme: Bhil women sing this song, using parrots as messengers to send love and messages to their husbands. It highlights the creativity of folk traditions in expressing feelings of separation and affection.
  • Related Themes:
    • Kaga: A song in which a woman celebrates the omen of her estranged husband’s return upon seeing a crow, symbolizing good fortune.
    • Hichki: A folk song from the Mewat region (Alwar), sung when someone remembers another person deeply, believed to cause hiccups in the person being remembered.
    • Bichudo: Hadoti region’s folk songs, often associated with memories and reminiscence.
    • Kaman: A ritual song sung to protect the groom from witchcraft during wedding ceremonies.
    • Badhawa: Sung when an auspicious event is completed, symbolizing gratitude and celebration.
    • Sithane: A wedding song sung by women during marriage rituals.
    • Pavana: A song to welcome the son-in-law upon his arrival.
    • Jorwa: A song from the Jaisalmer region, sung in memory of a loved one.
    • Dhola–Maru: A folk song based on the legendary love story of Dhola and Maru from the Sirohi region, traditionally sung by Dhadhi caste singers.
  1. Peepli
  • Theme: Peepli is a song where a wife remembers her husband who has gone to foreign lands, asking him to return. It is often sung during the festival of Teej in the Shekhawati and Marwar regions, reflecting themes of love and longing.
  1. Chirmi
  • Theme: In this song, a woman living at her in-laws’ home expresses her longing for her parents and family through the chirmi plant. It is a poignant reflection of homesickness and nostalgia.
  1. Humsidho
  • Theme: Humsidho is a song sung by the Bhil tribe, performed in harmony by both men and women. It represents the unity and communal spirit of the Bhil community, celebrating their unique cultural identity.
  1. Gorbandh
  • Theme: Gorbandh refers to the neck jewelry of a camel, and the song is sung by women while crafting this adornment. It is a folk song of the Shekhawati region, symbolizing craftsmanship and the joy associated with Rajasthani traditions.
  1. Panihari
  • Theme: Panihari songs are sung by women carrying water from wells and rivers. They are often a metaphor for the virtues of a dedicated woman, highlighting hard work and devotion to family duties.

Rajasthani Folk Music Styles

Rajasthan’s folk music is known for its variety of singing styles, each with its own regional flavor and unique traditions. Some of the key styles include:

  1. Mand Style
  • Origins: Mand originated in the Jaisalmer region and later became popular throughout Rajasthan.
  • Characteristics: Known for its melodic depth and rich vocal expressions, Mand is characterized by soulful tunes and evocative lyrics.
  • Major Mand Singers:
    • Allah Milai Bai – Bikaner
    • Gawri Bai – Pali
    • Jamila Bano – Jodhpur
    • Banno Begum – Jaipur
    • Mangibai – Udaipur
  1. Manganiyar Style
  • Region: Developed in the Jaisalmer and Barmer regions, the Manganiyar style is a rich tradition of folk music.
  • Characteristics: Manganiyars are known for narrative songs and ballads that celebrate local legends and heroic tales.
  • Major Instruments:
    • Kamaycha – A traditional stringed instrument mastered by Sakar Khan Manganiyar.
    • Khadtal – Played by Saddik Khan Manganiyar, adding rhythmic elements to their music.
  1. Langa Style
  • Region: The Langa community is known for its musical traditions in the Jaisalmer and Barmer regions.
  • Characteristics: The Langa style features melodic tunes accompanied by stringed instruments, expressing themes of romance and cultural tales.
  • Main Instrument: Kamaycha, a stringed instrument known for its deep resonance.
  • Main Song: Nimbuda, a song traditionally sung by pregnant women.
  1. Taalbandi
  • Region: This style originated in the Braj region and became popular in Bharatpur, Karauli, Alwar, and Sawai Madhopur.
  • Characteristics: Taalbandi is known for its complex rhythmic patterns and devotional themes, often performed by sadhus and sannyasis.
  • Main Instrument: Nagada, a traditional drum that provides a rhythmic base for the songs.

 

Significance of Rajasthani Folk Songs

Folk songs in Rajasthan are more than just musical expressions; they are cultural treasures that reflect the soul of the community. They preserve the rich history, social values, and cultural practices of the state, offering a living connection to traditions that have been passed down through the ages. These songs continue to be a source of entertainment, spiritual upliftment, and cultural pride, capturing the essence of Rajasthan’s vibrant heritage.

 

MUSIC GHARANAS OF RAJASTHAN

This table lists various music gharanas of Rajasthan, their founders, and some notable artists associated with each gharana. The Jaipur Gharana is particularly notable for its contributions to Khyal singing and has influenced other branches like Atrauli and Patiala.

 

Gharana Founder Other Artists
Jaipur (Khyal Singing Style) Manrang Mohammad Ali Khan – Kothi Wale
Jaipur Ali Baksh
Patiala (Branch of Jaipur Gharana) Fateh Ali Gulam Ali Khan, Manatol Khan (Crying Fakir)
Atrauli (Branch of Jaipur Gharana) The Nawab of Tonk gave the title “General-Colonel”
Mewati Sahib Khan Pandit Jasraj
Kirana Ghaghe Nazir Khan 1. Bhimsen Joshi 2. Roshan Ara Begum 3. Gangubai Hangal 4. Ustad Rajab Ali
Dagar Bande Ali Khan, Baharam Khan Dagar
Beankar Rajab Ali Khan “Beankar”
Allah Diya Khan Allah Diya Khan
Senia Gharana Surat Sen Kishori Amonkar
Rangila Gharana Ramadan Khan Amrit Sen
Kathak Gharana Bhanu Ji

 

Features of Rajasthan Folk Songs

  1. Personification of Nature:
    • Rajasthani folk songs often celebrate and personify nature, reflecting the deep connection that the people have with their natural surroundings. The beauty and grandeur of nature are brought to life through songs like Chirmi, Peepli, and Jeera, where plants, trees, and the environment are given human-like qualities. These songs show the Rajasthani people’s love and reverence for nature.
  2. Animals and Birds as Family Members:
    • In Rajasthan’s folklore, animals and birds are often treated as integral members of the family, symbolizing companionship and connection. For example:
      • Kaga (crow): A symbol of hope and good fortune, often associated with the return of a loved one.
      • Kuranja (Siberian crane): Symbolizes longing and messages of love sent across distances.
      • Suvatio (parrot): Represents communication between loved ones, often carrying messages in the lyrics of the songs.
    • These elements emphasize the cultural importance of the natural world in Rajasthani society.
  3. Social Rituals and Beliefs:
    • Folk songs play a crucial role in preserving social beliefs and rituals. Through the lyrics and melodies, traditions and customs related to birth, marriage, festivals, and daily life are kept alive. They serve as a musical archive of the social practices that define community life.
  4. Transmission of Culture:
    • Folk songs are a vital medium through which cultural values and heritage are transferred from one generation to another. They encapsulate the collective wisdom, traditions, and stories of Rajasthan’s communities, ensuring that the rich cultural legacy is not lost over time.
  5. Celebration of Shringar Rasa:
    • Shringar Rasa (the emotion of love and beauty) is a prevalent theme in Rajasthani folk songs. However, these expressions of love are poetic and delicate, avoiding any form of vulgarity. The songs of love often reflect the purity and innocence of relationships, portraying yearning, romantic longing, and the beauty of nature.
  6. Means of Livelihood:
    • Rajasthani folk songs have historically provided employment opportunities for various tribes and communities. Musical traditions became a profession, with certain groups like the Manganiyars, Langas, Bhats, and Kamad becoming professional singers who would perform for royal courts, festivals, and community gatherings.
  7. Evolution into Musical Gharanas:
    • The rich tradition of folk music in Rajasthan has evolved into various musical gharanas (schools), such as the Jaipur-Atrauli Gharana and Patiala Gharana. These gharanas represent a fusion of classical and folk styles, maintaining the essence of folk music while adapting to formal musical structures.
  8. Veer Rasa (Heroic Spirit):
    • Due to Rajasthan’s feudal history and warrior culture, the folk songs of this region often celebrate Veer Rasa (the emotion of bravery and valor). These songs narrate tales of heroism, sacrifice, and martial glory, serving as inspiration for warriors and a source of pride for their communities.
  9. Songs of Hope and Devotion:
    • Songs dedicated to folk deities are a significant part of Rajasthan’s musical tradition. These songs bring hope and comfort to those in distress, offering spiritual upliftment. The tales of gods and saints in these songs inspire faith and provide solace to the people during challenging times.
  10. Role in Freedom Struggle:
    • During India’s freedom struggle, Rajasthani folk songs played a role in awakening the spirit of patriotism and unity among the masses. These songs, such as Panchhida, spread messages of resistance and hope, becoming an anthem of the people in their fight for freedom.
  11. Regional Identity and Characteristics:
    • The regional folk songs of Rajasthan reflect the distinct cultural identity and economic conditions of different areas within the state. For example, desert songs have a free-flowing melody, while hill region songs often emphasize community singing and tribal rhythms. These variations highlight the diverse heritage of Rajasthan and the unique lifestyle of each region.
  12. Promotion of Folk Arts and Crafts:
    • The folk songs of Rajasthan have been a cultural anchor that supports the promotion of folk arts, including painting styles like Phad and Pichhwai, and handicrafts. The artistic expressions in these songs encourage the celebration of Rajasthani traditions, contributing to the preservation and popularization of the state’s rich cultural heritage.

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